About Us

Board of Trustees
Todd Aikens
Robert Brown
John Coleman
Mike Dalberg
Mike DeVito
Wendy Dobbs
Jennifer Grasso
Holly Hankins
Brian LaRue
James Marhold
Tom Martini
Christine Paccillo
Mark Regan Jr.
Lindsay Wood
Andrea Zawadzky

Honorary Trustees

Danny Devito
Olympia Dukakis
Samual Gordon
Margery Harnick
Sheldon Harnick 
Inez Johnson
Joseph Kyrillos, Jr.
Eric Levin
Edward J. McKenna, Jr.
Catherine Miller
Margaret Nodes
Wayne Nodes
Charles Parton
Trudy Parton
Rhea Perlman
Ellen Walsh
Michael Walsh
Leslie Woodlock

From modest beginnings in 1988, Phoenix Productions has grown in size and stature among the community theatres of New Jersey. In fact, the label “community theatre” fits rather uncomfortably for that size and stature. While most community theatres operate in church basements or high school gymnasiums, we have the advantages and disadvantages of performing in professional theatres on professional stages.

Advantages include higher visibility which helps us attract both talented performers and sophisticated audiences with high expectations. Those high expectations demand that we mount large-scale highly polished productions. The combination of high production values, royalties and rents in those professional venues add up to an annual operating budget of nearly a half-million dollars – many times more than the typical community theatre.

What then makes us still a community theatre? Since the beginning, Phoenix has been and continues to be a volunteer organization. While we pay fees to directors, musicians and designers, most of the people who build our sets, sew our costumes and steer the organization work for the joy of bringing theatre to life. And in accordance with our by-laws, we never pay performers for appearing in our productions. They too work for the joy, the excitement and the applause.

The center of Phoenix life is the Phoenix Rehearsal Center, a building where we rehearse, build scenery, sew costumes and prepare our shows for the main stage next door.  In addition to preparing mainstage productions, the Rehearsal Center houses Camp Phoenix, our summer day camp for youngsters who love to perform. A sell-out every summer, Camp Phoenix provides employment to instructors, experience to interns, and fun-filled instruction to more than 50 youngsters each year. The Rehearsal Center has also served as a venue for “black-box” productions, smaller works, sometimes originals, usually experimental, that profit from the intimate atmosphere of our Studio Theatre. 

As proud as we are of our accomplishments to date, we continue to explore paths to expand our activities in pursuit of our mission. We yearn to restart our “black box” initiative and to broaden the Camp Phoenix experience into a robust year-round educational program. We see value in launching a children’s theatre and a seniors’ theatre. We see the need to bring shows out into the community to bring live theatre to those who may not be able to come to a theatre.

Our vision for the future is of a multi-faceted arts organization working on:

      • mainstage productions at the Count Basie Theatre 
      • smaller works in our own black box venue
      • an outreach program of traveling shows
      • children’s theatre
      • senior theatre performing group and
      • a comprehensive musical theatre educational curriculum.

If our plans seem worthwhile and exciting to you, please get involved. We welcome your participation!

We are committed to a well-defined mission:
to provide quality theatrical experiences to our consituencies on both sides of the footlights.

For our audiences, we aim to make high quality theatre accessible and affordable.

For our performersdesigners, and craftspeople, we aim to provide a nurturing, professional-quality environment in which they can polish and display their talents.